238-39, cites Norman Hinton, "The Language of the Gawain-Poems," Arthurian Interpretations 2 (1987), 83-94, and an unpublished paper by Hinton.ġ5 W. 240-42.ġ3 For a discussion of this question and of regional versus urban production in Ricardian poetry, see Turville-Petre, pp. Duggan, "Meter, Stanza, Vocabulary, Dialect," in Brewer and Gibson, pp. 156).ġ2 Angus McIntosh, "A New Approach to Middle English Dialectology," English Studies 44 (1963), 1-11 H. 37, 40 see also Putter, who speaks of the poet's "techniques of defamiliarization" (p. 1-37.ġ0 Stanbury, "The Body and the City in Pearl" for the gendering of the poem's embodied language, see Cox.ġ1 Muscatine, pp. 35.Ĩ Darrel Mansell, "Metaphor as Matter," Language and Literature 17 (1992), 117.ĩ Peter Sacks, The English Elegy: Studies in the Genre from Spenser to Yeats (Baltimore: Johns Hopkins University Press, 1985), pp. 8-9.ħ Marie Borroff, Pearl: A Verse Translation (New York: W. ![]() 86-87 David Lawton, "Middle English Alliterative Poetry: An Introduction," in Middle English Alliterative Poetry and Its Literary Background: Seven Essays, ed. Travis, "Chaucer's Heliotropes and the Poetics of Metaphor," Speculum 72 (1997), 399-427.ĥ For Franciscan texts based on 101, see Fleming for discussion of the uses of number in Pearl, see Bishop, Pearl in Its Setting, pp. 10.Ģ For an important discussion of medieval theories of metaphor, see Peter W. 197 Ricoeur takes the idea of the "category mistake" from Gilbert Ryle, The Concepts of Mind (London: Hutchinson, 1949), p. (London: Routledge and Kegan Paul, 1978), p. ![]() Robert Czerny, with Kathleen McLaughlin and John Costello, S. 1 Paul Ricoeur, The Rule of Metaphor: Multi-disciplinary Studies of the Creation of Meaning in Language, trans.
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